Homily for the Mass of Christian Burial of Fr. Dan Sullivan, C.P.

It is Shrove Tuesday the day before Ash Wednesday, but Lent came early for our Dan, Uncle Dan,  Fr. Dan.  His long suffering of the past year was a hard, prolonged Lent, that has given way to an early Easter, and an eternal moment of resurrection.  In fact, Dan’s death-bed experience, surrounded by his family and friends was at once a passion and a resurrection.  As he lay dying the family prayed the sorrowful mysteries of Mary’s rosary, commended him to God and all the saints.  Then as they prayed the glorious mysteries, he breathed his last as if to  give an exclamation point to his belief in the Resurrection.  Over Dan’s bed was a cross with a bright light streaming on it.  This cross was not of a dying Lord, but the risen Christ who seemed to smile down on Dan and his family as he welcomed him home.

Last night at the  wake service we rejoiced in the life of a Passionist priest and a gentle man.  We heard stories about him, shed tears at the reading of letters from Ireland, broke into laughter just as Dan would have with his great smile and hearty laugh.  How could we not enjoy the Irish connection which began with the indomitable Bridget Connelly and that quiet man Dan Sullivan?  But our Dan was his own man.  Human beings try to challenge the infinite: ocean, mountains, space.  Dan loved all these as if through the cosmic infinities he was brought home to the truly Infinite – God.  From Georgia Avenue to the Harris and Rialto movie houses to the little candy store on the corner, Dan reached for the stars.

But our purpose here this morning at the Mass of the Resurrection is not to eulogize Dan, but to look at the most profound meaning in his life and in our lives also – the love we have for Christ. For almost fifty years as a Passionist and forty three years as a priest, Dan sought what we all seek: first, to know the wisdom of God and to do his will; second, to know Christ crucified and risen; and third to yearn to be with God forever thus fulfilling the infallible promises from Christ for those who remain close to him.  The readings we have just heard proclaim these truths.

Wisdom 3: 1-9 – The wise man in the reading proclaimed by Sharon tells us that just and wise people are proven like gold in a furnace and become a sacrificial offering to God.  The wisdom of God led Dan to religious life after great success in the world.  Now the gifts of piercing intelligence, brilliant administrative skills, professional and insightful one-on-one abilities became a great boon to the Church and to the Passionists.  All of us are called to be saints and to use our talents under God’s wise guidance.  Again from the wise one:

“Because God’s grace and mercy are with his holy ones, and his care is with the elect”

Dan often used a similar reflection from St. Paul’s first letter to the Corinthians (this text is on his memorial card):

“Jews demand signs and Greeks wisdom, but we preach Christ crucified. . .Christ the power of God and the wisdom of God.” (1Corinthians 1:22-24)

Philippians 3:7-10 -  Patti read to us from the third chapter of Philippians where St. Paul put it squarely,

“I count everything as loss because of the surpassing worth of knowing Christ Jesus, our     Lord. . . I want to know him and the power of the resurrection that I might share his sufferings,   becoming like him in his death, that if possible I may attain the Resurrection from the dead” (Phil. 3:8-11)

I believe Dan had this passage in mind when he gave a homily several years ago in an anointing service for the Felician Sisters in Coraopolis.  These are his words:

“Today we turn to our God that we may receive the healing of Jesus in His Spirit, so that we may be prayed over in Jesus’ name, so that we may be forgiven of sin, so that we may  be anointed with the Holy Oil. In turn, the sick witness to each of us and show us the marks of Jesus’ Passion in their suffering: the inner pain of emotional and psychic sufferings; the acknowledgement of aging and our passage from one  phase of life to another;  the anguish of coping with addictive illness; accepting the spiritual discipline to control food, drink and medicine one day at a time; the fixing of our gaze upon the cross as a source for health, sanity and salvation.” (from a homily of Fr. Dan)

John 14:1-7 – The gospel reading turns our hearts and minds to the future, the destiny of us all,

“Let not your hearts be troubled; believe in God, believe also in me.  In my Father’s house there are many mansions; if it were not so would I have told you that I go to prepare a place for you?  And when I go to prepare a place for you, I will come again and take you to myself, so that where I am you also may be.” (John 14:1-3)

These words of Truth himself are intimately connected to another promise of Jesus in the sixth chapter of the same Gospel:

“The one who eats my flesh and drinks my blood has eternal life, and I will raise him/her up on the last day” (John 6:54)

How many masses did Dan preside over or concelebrate in over 43 years of priesthood?  We know how the Lord’s Eucharistic presence gave life to his preaching and strengthened him in his ministry in this Church, the Retreat Center, in Parish missions and retreats, in confession and spiritual direction, in countless visits to hospitals, nursing homes, and to those homebound. Above all, it was the Eucharistic presence that gave him such a profound patience and serene, humble gratitude in his lasts months on earth.  He fought as a good Sullivan would fight – no quit in him!  But medical science had done its best. Oh yes, he gave a side glance at Fr. Theodore for a possible reprieve, but he gazed more intently on his crucified Lord.  He truly believed in Jesus’ infallible promises.

“I go to prepare a place for you so that where I am you also may be” And
“I will raise you up on the last day”

We Passionists take a title at our religious profession of vows.  Almost fifty years ago Dan took the title: Daniel of the Holy Family. How much thought and truth in that title – his family: Jesus, Mary and Joseph;  his family by blood; his religious family.  And so to you, his family of origin: Jerry, Sisters Margaret and Marie (with us in prayer), Catherine, Dan, Sharon, Patti, Roy, and Maureen and to all your families – the Clan Sullivan, please accept our Passionist deep thanks for the gift of Dan.  We Passionists will miss him sorely.  And may all of us strive to know the wisdom of God and to do his will; may we know Christ and him crucified and risen; and may we always yearn as a Eucharistic family to be at home one day in the presence of our God, our Lord Jesus, our Blessed Mother, and all our loved ones.

Dan of the Holy Family rest in peace.

Fr. Timothy Fitzgerald, C.P.
March 8, 2011

Donations can be made in Fr. Dan Sullivan‘s memory to the Passionist Retirement Fund, 526 Monastery Pl, Union City, N.J.

Donate on-line by clicking the button below.
The Donate Now button will redirect you to Caring Habits, Inc. (CHI) which is the credit card processing company for The Passionist Missionaries website.


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Family Movie Night

How about a family movie night during Lent? On the occasion of the 100th anniversary of cinema in 1995, the Vatican compiled a list of “great films.” Here’s a partial listing, along with where they can be obtained.

Andrei Roublev (1969) Russian production about a 15th-century monk (Anatoli Solonitzine) who perseveres in painting icons and other religious art despite the civil disruptions and cruel turmoil of his times. Director Andrei Tarkovsky visualizes brilliantly the story of a devout man seeking through his art to find the transcendent in the savagery of the Tartar invasions and the unfeeling brutality of Russian nobles.

Available on: Amazon and Netflix

The Mission – In the 1750s, the large and prosperous Jesuit Indian missions were divided between Spain and Portugal. In dramatizing these events, Robert Bolt’s screenplay focuses not on the religous but on the sociopolitical dimension of the colonial era and its injustices. The epic production is visually splendid but Roland Joffe’s direction is erratic and bogs down in contrasting a nonviolent priest (Jeremy Irons) and one (Robert De Niro) who leads the Indians against a colonial army. Although dramatically flawed, the work recalls a past that provides a context for current Latin American struggles.

Available on: Amazon, Netflix and iTunes

The Passion of Joan of Arc – (1928) Silent screen masterpiece portraying the heresy trial, confession, recantation and execution of the Maid of Orleans (Maria Falconetti) in a performance of such emotional power that it still stands as the most convincing portrayal of spirituality on celluloid. Directed by Carl Dreyer, the work is essentially the interior epic of a soul, consisting largely of close-ups of Joan’s face and those of her interrogators accomplished in a fashion which is never static as the camera explores the inner struggle between human frailities and spiritual strength.

Available on: Amazon, Netflix

The Gospel According to St. Matthew – (1966) Straight-forward Italian dramatization of the evangelist’s account of the life of Jesus and His message of salvation succeeds exceptionally well in placing the viewer within the Gospel events, avoiding the artificiality of most biblical movie epics. Director Pier Paolo Pasolini is completely faithful to the text while employing the visual imagination necessary for his realistic interpretation.

Available on: Amazon, Netflix

Therese - (1986) French dramatization of the life of St. Therese de Lisieux from age 15 when she joined a cloistered convent of Carmelite nuns to her death there 9 years later of tuberculosis. Director Alain Cavalier’s impressionistic account of the young woman (luminously portrayed by Catherine Mouchet) who found personal joy, spiritual liberation and the sanctity of selfless simplicity within the restrictive traditions of an austere religious community will challenge contemporary viewers and confound some. The young may find its picture of 19th-century religious life more confusing than inspiring.

Available on: Netflix

Ordet – (1954) Challenging Danish production about different kinds of faith and various sorts of miracles, one of which restores a dead woman to life. Directed by Carl Dreyer, the austere narrative centers on a farming family troubled by the madness of a son (Preben Lerdorff Rye) who believes he is Jesus Christ until, regaining his balance, his faith in God achieves the miracle which brings the story to a positive though less than convincing conclusion some may find disappointingly ambiguous.

Available on: Amazon, Netflix

The Sacrifice -(1986) Swedish production in which a group of adults and a child pass through a night of confusion and fear, including portents of a nuclear-devastated landscape. Director Andrei Tarkovsky’s murky religious allegory about an aging writer’s bargaining with God to save others relies upon long silences, ritualized dialogue and beautiful but static photography.

Available on: Amazon, Netflix

Ben-Hur -(1959) Director William Wyler’s classic Hollywood epic follows the Jewish prince of the title (Charlton Heston) after he’s betrayed by his boyhood Roman friend (Stephen Boyd) and subjected to much misery until finally achieving retribution for all his suffering. The narrative’s conventional melodrama is transformed by the grand scale of its spectacle, especially the chariot race, and by the stirring performances of its principals who manage to overcome the story’s cliches and stereotypes.

Available on: Amazon, Netflix

Babette’s Feast – (1988) Screen version of a story by Isak Dinesen, set in a rugged fishing village in 1871 Denmark, shows the impact of a French housekeeper (Stephane Audran) on two pious sisters who carry on their late father’s work as pastor of a dwindling religious flock. Danish director Gabriel Axel’s understated but finely detailed work centers on the preparation and consumption of an exquisite Gallic meal, a sensuous labor of love which has a healing effect on the austere sect and the Frenchwoman who prepared it.

Available on: Amazon, Netflix

Monsieur Vincent – (1947) Lucid, moving account of St. Vincent de Paul’s work among the poor and the oppressed in 17th-century France, from his first labors in a plague-ravaged village and his appeals to the conscience of the aristocracy to the founding of an order devoted to charitable works and his death in 1660. Director Maurice Cloche portrays the poverty of the times and the cruelty of the regime in starkly convincing fashion, providing a solid historical framework within which Pierre Fresnay’s performance in the title role shines with a warm compassion and spiritual intensity which most viewers will find irresistably compelling. Subtitles. High on the list of great religious movies.

Available on: Amazon, Netflix

A Man For All Seasons – (1966) Engrossing drama of the last seven years in the life of Thomas More, Henry VIII’s chancellor, who met a martyr’s death rather than compromise his conscience during a period of religious turmoil. Robert Bolt’s script is masterfully directed by Fred Zinnemann, with a standout performance by Paul Scofield in the title role, among other notable performances from a uniformly fine cast. The historical dramatization achieves an authentic human dimension that makes its 16th-century events more accessible and its issues more universal. Profoundly entertaining but heavy-going for children.

Available on: Amazon, Netflix, iTunes

Au Revoir, Les Enfants – (1988) When the Gestapo discover that a priest has hidden three Jewish youths in a Catholic boys’ school, he and the boys are arrested and deported to concentration camps. French writer-producer-director Louis Malle re-creates a painful memory from his own youth in a restrained, humbling, well-acted dramatization of a boy’s firsthand experience of the Holocaust.

Available on: Amazon, Netflix

Dersu Uzala – (1978) Russian production about the friendship that grows between a turn-of-the-century explorer in Siberia and his guide, an aging Tungus hunter whose name gives the film its title. Japanese director Akira Kurosawa concentrates on evoking the vast remoteness of the Siberian wilderness, a world the Russian finds forbidding but one in which the hunter is perfectly at home. Subtitles. Finely acted, beautifully photographed, it is an admiring portrait of a man living in harmony with nature and with his fellow hunters.

Available on: Amazon, Netflix

The Bicycle Thief (1949) Simple yet compelling study in desperation as a worker (Lamberto Maggiorani) must find his stolen bicycle or lose his new job. Ignored by the police and others, the man and his young son (Enzo Staiola) search the streets for it until, in despair, he himself tries to steal a bicycle. Scripted by Cesare Zavattini and directed by Vittorio De Sica, the result is an engrossing picture of the human realities of life on the edge of poverty, shot on the streets of Rome with a cast of non-professionals that brought a new realism to the postwar screen and a new emotional honesty to the stories it told.

Available on: Amazon, Netflix and iTunes

The Burmese Harp (1956) Badly wounded in Burma at the end of World War II, a Japanese soldier (Shoji Yasui) is nursed back to health by a Buddhist monk, then devotes himself to searching the jungle battlefields for the abandoned remains of dead soldiers to give them a decent burial. Directed by Kon Ichikawa, the Japanese production takes a strong anti-war stance through a series of flashbacks to the horrors of battle, but uses hauntingly poetic imagery to convey the main theme of life’s value and the need to atone for its loss.

Available on: Amazon, Netflix

Chariots of Fire (1981) Two young Englishmen (Ben Cross and Ian Charleson) overcome quite different obstacles to win gold medals at the Paris Olympics of 1924. One is a Jew determined to beat the anti-Semitic establishment at its own game and the other is a devout Scot who runs for the glory of God. Directed by Hugh Hudson, it is a richly entertaining and highly inspiring movie for the whole family.

Available on: Amazon, Netflix and iTunes

On the Waterfront (1954) Classic labor film about a punched-out boxer (Marlon Brando) who, despite the machinations of his shifty brother (Rod Steiger) and with some encouragement from the woman (Eva Marie Saint) he loves as well as a waterfront priest (Karl Malden), decides to stand up to the criminal boss (Lee J. Cobb) of a corrupt union of dock workers. Budd Schulberg’s fact-based script is directed by Elia Kazan with stand-out performances and a gritty realism grounded in a working-class milieu, abetted by Leonard Bernstein’s rousing score and Boris Kauffman’s atmospheric photography. Much menace and some violence.

Available on: Amazon, Netflix and iTunes

Open City (1945) Composite picture of the resistance movement in German-occupied Rome focusing on an underground leader (Marcello Pagliero) hidden by a widow (Anna Magnani) until he’s betrayed to the Gestapo, then tortured and executed along with a partisan priest (Aldo Fabrizi). Director Roberto Rossellini began filming while German troops were still in the city and the result has a documentary quality giving a sense of immediacy to the period portrayal of events by a cast whose naturalistic acting captures the fervor and determination of diverse social types united in their opposition to fascism.

Available on: Amazon, Netflix

Schindler’s List (1993) Sobering account of an opportunistic German businesssman (Liam Neeson) out to make his fortune by exploiting Jewish labor in occupied Poland but the increasing barbarism of Nazi racial policies and the sadistic perversions of the local commandant (Ralph Fiennes) cause him to risk his life trying to save the Jews in his employ. Director Steven Spielberg restages this Holocaust story on an epic scale that gives horrifying dimension to one man’s attempt to save some innocent lives, though providing little insight in the German’s moral transformation or the individual lives of his Jewish workers.

Available on: Amazon, Netflix

Citizen Kane (1941) When a Hearst-like newspaper tycoon (Orson Welles) dies, a reporter (William Alland) interviews the man’s former associates (Joseph Cotton and Everett Sloane among them) and wives (Ruth Warrick and Dorothy Comingore) in an effort to pin down the essence of the contradictory, larger-than-life millionaire by discovering the meaning of his dying word, “Rosebud.” Also co-written (with Herman J. Mankiewicz), produced and directed by Welles, the movie is a landmark in American cinema, notable both for its superb use of film technique and its intriguing story of a man who came from nothing, acquired fame and fortune but died without the love he sought.

Available on: Amazon, Netflix

Fantasia (1940) Walt Disney’s only excursion into the world of the fine arts presents eight selections of classical music, including Dukas’ “Sorcerer’s Apprentice” with Mickey Mouse and a bucket brigade of brooms, Stravinsky’s “Rite of Spring” with its massive, earthbound images and the macabre vision of Musorgsky’s “Night on Bald Mountain.” Using different approaches and animation styles for each piece of music as performed by the Philadelphia Orchestra under conductor Leopold Stokowski, the imaginative work was not only Disney’s most ambitious undertaking but it remains an enjoyably creative introduction to fine music, especially for youngsters.

Available on: Amazon, Netflix

The Lavender Hill Mob (1951) British comedy classic in which a timid bank employee (Alec Guinness) concocts a scheme to hijack a shipment of gold bullion with the aid of professional crooks (Sidney James and Alfie Bass), then melt it down in the foundry of an accomodating sculptor (Stanley Holloway) and recast it as Eifel Tower souvenirs for export to Paris. Scripted by T.E.B. Clarke and directed by Charles Crichton, the tongue-in-cheek depiction of a perfect crime has one hilarious flaw after another, culminating in a wild police chase through London and a neat twist ending in South America.

Available on: Amazon, iTunes

Grab some popcorn and enjoy the show!

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Lenten Reading

A Lenten Journey with Jesus Christ and St. Paul of the Cross
by Victor Hoagland,CP

  • Short Biography of St. Paul of the Cross
  • His spirituality
  • Who are the Passionists?
  • Gospel Meditations and prayers  for each day of Lent with reflections from the saint.

244 pages,  Christus Publications

“If St. Paul of the Cross–Paul Danei, founder of the Passionists–were to accompany you through Lent I’m sure he would be with you as you are and the world you live in as it is. He was never afraid of darkness and dark places, so you may find him a helpful spiritual guide. He trusted in Jesus Christ and his cross, ‘the wisdom and power of God;’ I’m sure he will bring some of that wisdom to you.”

You’ll find here a short biography of St. Paul of the Cross, a brief history of the Passionists, a description of his writings and spirituality, and reflections and prayers for each day of Lent based on the gospels and the writings of the saint.

Paul of the Cross offers guidance for hard times.

Order from: Crossplace – The Passionists eBookstore

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What Family Means During Lent

Dear Friends,

Lent is meant to be a heavy time. The dark of winter, the recognition of sin and personal failing, the seeking of penance and self-discipline. This takes place during the period of the sun lengthening to full light at spring, which is the rich symbol of the victory of light in resurrection. Our lent begins with three heavy darkness’s.

We have retrieved the bodies of Mikhael, Delourdes and Ronald  (the siblings of former orphans and NPFS employee Jules). They currently are lying in our hospital chapel for burial today at St. Helene. These have been very emotional days for us, especially for Jules and his older brother David. Yesterday at mass, the chapel was packed with former orphans, crying and comforting, showing that the family bonds we have tried to instill are real, and are clearly seen when it counts. We stood before their lifeless bodies without words, with nothing but each other and our faith, hope and love. These really heal and give courage. It is amazing to see it as a true and deep dynamic. Father Wasson’s intuitions and instincts were right about the ability of a community to form a family.

Four other former orphans were arrested yesterday in separate incidences, two by Haitian police during a small rice distribution. The police assumed them to be thieves of the rice and the usual unfairness ensued. They were liberated only when the police themselves became beneficiaries of most of the rice.

Two others were arrested by US military when the bus they were on as passengers hit a wagon. We still cannot understand why they were chosen as the culprits. One was handcuffed and beaten.

I mention this because before both injustices these youths were so clear about right and wrong, fairness and corruption and they are balanced in their views about how to handle it.

Rejecting offers from others to inflame it on the radio, they came to “dad”, (me) as they said, to try to talk and figure it out.

I so admire their equilibrium and their refusal to be treated unfairly and this led to long discussions about how to proceed. But it also led to longer discussions about the importance of not internalizing the incident. In other words, fighting the tendency that victims many times have of feeling that for some reason they deserved what had happened. I admire their desire to have “dad” help figure it out and deal with it.

The third incident was also remarkable. A young woman was brought to our hospital in labor.

Her mother, father and husband were killed in the earthquake and she didn’t want to deliver the baby. She kept crying and screaming out to the baby….. “Don’t come out! Don’t come out!  Stay where you are. This is no place for you. It’s no place for anyone!”

Literally she fought the delivery. The Italian midwife volunteers tried to help her. Instead of pushing during contractions, she would suck up a deep breath and draw pressure away from her pelvis telling everyone to leave her alone, begging the baby not to come out into such a world.

The Italian midwives were crying, begging the mother to believe life was good. Begging to see the child and welcome the child. They were midwives not just of the baby but of the mother’s soul.

After 12 hours of resisting labor, then came the little baby and a mother with a new but faint twinkle in her eye.

It makes me shudder.

Let us thank God for the power of family during Lent and for the powerful reality that with even no blood or cultural ties we can really be family to each other.

Fr. Rick Frechette